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The IAI at the Tag im Grünen at the Kulturforum

15.000 visitors accepted the invitation to the fourth “Tag im Grünen” (Day in the countryside) at the Kulturforum Berlin on September 14, 2025. The cultural and scientific institutions located there, as well as the Kirche St. Matthäus, had organized a broad programme with over 70 guided tours, concerts, workshops, performances and open hands-on activities on the theme of paradise. The Ibero-Amerikanisches Institut (IAI Ibero-American Institute) participated with a concert program.

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15.000 visitors accepted the invitation to the fourth “Tag im Grünen” (Day in the countryside) at the Kulturforum Berlin on September 14, 2025. The cultural and scientific institutions located there, as well as the Kirche St. Matthäus, had organized a diverse programme with over 70 guided tours, concerts, workshops, performances and open hands-on activities on the theme of paradise.

The Ibero-Amerikanisches Institut (IAI Ibero-American Institute) also opened its doors and hosted two musical events.

 

La luna en pequeños pasos - The moon in small steps

"La luna en pequeños pasos - The moon in small steps" was the title and also somewhat the motto of a concert by the Rodrigo Santa Maria Trio. Argentine zamba, bossa nova, chacarera, Peruvian landó and various Chilean influences characterize the music of guitarist, singer and composer Rodrigo Santa Maria, who hails from Chile. Together with cellist Rita Mascarós and violinist Víctor Bustamante, the trio succeeded in creating a special blend of jazz, Latin American music and chamber music. Listening to the atmospheric songs, you could actually feel a little closer to the moon.

 

Tropicalismo: cultural revolution and stylistic diversity

To accompany the retrospective of Brazilian artist Lygia Clark in the Neue Nationalgalerie, there was a Tropicália Lounge in the early evening. DJ Hapezinho had previously made a selection of records with Brazilian music from the 1960s and 1970s from the IAI's Audio library of more than 60,000 records. Between the songs, which were characterized by political and creative rebellion against the military dictatorship, he drew an anecdote-rich arc, starting with the first record of the legendary group "Os Mutantes" from 1968, which emerged directly from the artistic-political Tropicalismo movement, from Caetano Veloso's "É Proibido Proíbír " ("It is forbidden to forbid") to the provocative break with the prevailing wardrobe etiquette on stage by the two best-known tropicalists Caetano Veloso and Gilberto Gil : in the form of an African tunic and a lime green suit made of plastic. The Tropicália movement was characterized by its ability to mix different musical and artistic styles and create new forms, often playfully and spontaneously. Their aim was to reinterpret traditional Brazilian music and to break new ground, and not just in music.

Rodrigo Santa Maria together with cellist Rita Mascarós and violinist Víctor Bustamante on stage at the Simón Bolívar Hall © Stefanie Heider
Rodrigo Santa Maria together with cellist Rita Mascarós and violinist Víctor Bustamante on stage at the Simón Bolívar Hall © Stefanie Heider
Rodrigo Santa Maria together with cellist Rita Mascarós and violinist Víctor Bustamante on stage at the Simón Bolívar Hall © Ibero-Amerikanisches Institut
Tropicália Lounge vor dem Eingang des Ibero-Amerikanischen Instituts © Stefanie Heider
DJ Hapezinho at his turntable © Ibero-Amerikanisches Institut
DJ Hapezinho at his turntable © Stefanie Heider
DJ Hapezinho in conversation with musician Mauricio Fleury © Ibero-Amerikanisches Institut

Playlist

  • Luchín - Composed by Víctor Jara
  • El cigarrito - Composed by Víctor Jara
  • El arado - Composed by Víctor Jara
  • No soy de aquí - Composed by Facundo Cabral
  • Maturana - Composed by Leguizamón/Castilla
  • Defensa de Violeta Parra - Composed byOsvaldo Rodríguez, Nicanor Parra
  • A rã - Composed by João Donato
  • Dos de febrero - Composed by PachoCobilla
  • Coviditai - Composed byRodrigo Santa María
  • Todo o nada - Composed by Rodrigo Santa María
  • Las esperas - Composed byRodrigo Santa María
  • Las reglas del juego - Composed byRodrigo Santa María
  • Malena - Composed byRodrigo Santa María
  • Hattunfayagasta - Composed byRodrigo Santa María
  • La luna en pequeños pasos - Composed byRodrigo Santa María

Portrait photo of three musicians from the Rodrigo Santa Maria Trio
The Rodrigo-Santa-Maria-Trio © Anna Rozkosny

Playlist

  • Os Mutantes: Panis et Circensis (1968) - Composed by Gilberto Gil/Caetano Veloso
  • Gilberto Gil: Geléia geral (1968) - Composed by Gilberto Gil/Torquato Neto
  • Os Mutantes: 2001 (Dois mil e um) (1968) - Composed by: Os Mutantes, Tom Zé
  • Gal Costa: Baby (1969) - Composed by Caetano Veloso
  • Elis Regina: Águas de Março ( 1972) - Composed by Antonio Carlos Jobim
  • Fafa de Belem: Emoriô (1975) - Composed by João Donato
  • Jorge Ben: País Tropical (1969)
  • Brazilian Bitles: Essa Gatinha É Minha (1967)
  • Gal Costa/Caetano Veloso: Zabelê (1967) - Composed by Torquato Neto
  • Roberto Carlos: O Calhambeque (1973) - Composed by Erasmo Carlos, Gwen & John Loudermilk
  • Gilberto Gil: Marginalia II (1968) - Composed by Gilberto Gil/Torquato Neto
  • Tom Zé: São São Paulo (1968)
  • Caetano Veloso: Alegria, Alegria (1967)
DJ behind the mixing desk, with records, photos, and palm trees on the edge
DJ Hapezinho at his turntable © Ibero-Amerikanisches Institut

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