Skip to main content


Posters of the Estallido Social: Visual Protest Culture from Chile at the IAI

A selection of political posters from Chile offers an insight into the visual language of the Estallido Social and shows how protest imagery accompanies and shapes moments of social transformation.

, News

A compact and carefully curated selection of posters from the Estallido Social is is presently on view in the IAI’s Maps Reading Room. These works emerged during the protest movement that began in October 2019 in Chile and quickly grew into a nationwide expression of social and political demands. The presentation highlights how graphic design, slogans and visual symbolism became key tools of public communication and collective expression.

Protest, Visual Language and Political Communication

The Estallido Social (“social outburst”) was triggered by an increase in public transport fares in the Santiago metropolitan area. What started as fare evasion actions led by school students soon evolved into a broad popular movement addressing deeper structural issues — including social inequality, police violence and calls for constitutional reform. Posters, street graphics and other visual forms of protest shaped the urban landscape throughout this period and remain powerful documents of the creativity and diversity of public expression during these months of intense mobilization.

Context within the IAI’s Collections and Research

The selection on view was compiled by former IAI library trainee Philipp Kandler, whose project focused on political graphic art and visual protest culture in Chile. The presentation draws on materials preserved within the IAI’s special collections on social movements and visual culture. It complements the Institute’s wider research and documentation efforts on media practices, political communication and processes of social transformation across Latin America.

Visit

The presentation can be viewed during the regular opening hours of the Maps Reading Room. Visitors are asked to check in at the service desk or schedule an appointment in advance via colecciones​(at)​iai.spk-berlin.de (opens your email program).

Further information is available in the LACARinfo article (external link, opens in a new window) (in German).

„Que vivan los estudiantes“ – Es leben die Schüler*innen: Die Graphik spielt auf die Pionierrolle der Schüler:innen und Studierenden zu Beginn der Proteste an. Es enthält außerdem verschiedene Symbolen und zitiert beteiligte Gruppen: Die indigene Bewegung durch die Frau in der Mitte, die anhand ihrer Kleidung als Indigene zu erkennen ist. Der Rucksack des Mädchens trägt außerdem das Wappen aus der Wenufoye-Fahne der Mapuche. Ihr grünes Mundtuch, in Lateinamerika verbunden mit der Forderung nach der Entkriminalisierung von Abtreibungen, zeigt sie als Vertreterin der feministischen Bewegung. Der schwarze Hund („Negro matapacos“: „Paco“ ist die umgangssprachliche Bezeichnung für die Polizei, übersetzt also etwa der „schwarze Bullentöter“) ist seit den Studierendenprotesten von 2011 ein bekanntes Protestsymbol in Chile. Das Schlagen von Kochtöpfen (cacerolazo) ist eine verbreitete Form des Protests in Lateinamerika.